Somewhere Nowhere Blog
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Showing articles in category "poetry"
A quick post to announce the beginning of a new project - walks, camps, art in the landscape and an evolving digital map ...
Ten days of sailing along Scotland’s northwest coast, past the Torridonian giants of Stac Pollaidh, Suilven and Quinag, and into and out of lochs with sheltered bays for quiet nights. The scenery here is not just jaw-droppingly beautiful, it’s also one of the richest landscapes, in geological terms, on the planet.
Seven days and nights feeling and reading the land- walking the spaces between the treefold poem in Cumbria.
Time to feel the elements and let the land inspire art and poetry: a 7-day midsummer walk in the Lake District, linking the three treefolds, camping as we go & finishing with a public talk at the Blencathra Centre on June 23rd.
This poem from The Long View has become a favourite, a poem about walking, and feeling in, and out, of place.
A reflection on the projects of 2017, legacies for the future, and lots of walking ...
We have spent two years with seven remarkably ordinary trees so it feels wonderful to share them through The Long View book and the exhibition at Grizedale Forest in Cumbria.
Looking back on somewhere-nowhere through 2016 we decided to pick out just a few highlights, including night photography and a couple of poems ...
Isn't it great when art causes debate ? Here's our reflection on how a single line of cloth got people talking about the impact of humans on the environment ...
A journey on the 555 bus to the road block between Grasmere and Thirlmere, and back again, via five pubs ... an unusual kind of a journey.
The rain is lashing down on what anyone, in a cynical frame of mind, might call a ‘typical’ October day in Cumbria. But in truth, most of October has been sunny and warm, and we were treated to a string of bright days in September that did, in some way, make up for the wet summer months.
Showing sheep in the Lake District can be a competitive business – never so competitive that it overrules friendships, but the reputation of a farmer and his flock is boosted by success. Quality matters. Writing a poem to adorn the champion rosettes was not something to be taken lightly.
This particular bee is flying heavily from one clover to the next. It seems to take a random zig-zag path, led on by scent, but maybe there is a plan that I, as a non-bee, can have no idea about. Above its pollen-laden body, meadow grasses sway, sorrel shimmers red-green, oxeye daisies turn to the sun, and the fells climb green to the skyline. There’s constant birdcall echoing through the valley, and the river’s gentle song is like breath, always there.
If you haven’t already got a copy of The Shepherd’s Life, by James Rebanks, then I advise you to find one, settle down, and start reading. Since its release last week it has caused his twitter following to rise by more than twelve thousand, and its reading on BBC Radio 4 as book of the week has certainly got people talking.
" The ashtree growing in the corner of the garden was felled. It was lopped first. I heard the sound and looking out and seeing it maimed there came at that moment a great pang and I wished to die and not to see the inscapes of the world destroyed any more."
Gerard Manley Hopkins
Over the last few months we’ve been putting posts and comments on twitter and Facebook about sheep wandering in the fells with a poem attached to them. Now that they’re back, it’s time to share a bit more of the story behind the poem sheep.
Encounter with place is often enriched when there is a purpose – the eye becomes keener, all the senses perk up, and you take in the sense of place with more intensity than if you were just passing through.
So it was today when Rob and I went to the Borrowdale Valley, just north of Kendal, walking into the heart of the valley for the first time. Our purpose was to take a look at a place I’ll be getting to know more intimately during the summer months when it dances with meadow flowers
I go out into the land to leave behind the lines and squares and glares of inside living, of walls and rooms, computers and information exchange and jagged edged thinking. I heard today another was beheaded; a body was found in the woods; two murdered on a dream holiday; and another child in adult's frame raises her voice to sing the refrain of one abused.
Four years ago, we collected a pine cone hard as stone. There were no gaps or spaces between the folds of the cone and it sat in my hands heavy as a rock, but unlike a rock, this weight was full of promise. Full of trees.
It doesn't take long. I am, overnight, disconnected from the mainframe of technology. Signal-less, no WiFi, no television, no radio. No emails to draw me in, no texts, no messages to log and reply to. Finally, I have found a pause from a near ceaseless state of alert - and my nervous system has found another frequency. My head relaxes.
In Kathleen Jamie's book Sightlines she writes about the way that her unstoppable urge simply to get out of the house when she was younger laid the path for her deepening relationship with the natural world. It gave her close encounters with plants and weather, it became a refuge for her eager, explorative self and it probably had a lot to do with her eventual maturation into an outdoor wanderer and a superb writer.
Seamus Heaney’s Blackberry Picking has been lodged in my mind from around the age of thirteen. When I read it now I can taste and smell blackberries and the quickening breeze bringing Autumn in from the north, I can feel the tingle of stingers on my feet (still bravely wearing sandals) and I can hear the urgent calls of swallows preparing for a long southward journey.
Well, that was some week. I am only just back, so this will be only a brief overview. The week was so packed with personal insights, wonderful writing by other women, animated debates about environment, place and wildness, fierce weather, delicious food ... it’s hard to know where to start!